For a person, day and night are the colors of two kinds of life; for a city, day and night are two different states of existence; for a building, day and night are completely in one line. But each has its own wonderful expression system.
In the face of the dazzling sky in the city, should we think about it, do we really need to be so dazzling? What does this dazzle have to do with the building itself?
If the space of the building is visually represented by light, then the main body of architectural lighting is obviously the building itself, and there is a need to achieve a proper fit between the two.
No one knows more deeply than a senior architect and accurately explains the relationship between light and architecture. As a well-known architect, Mr. Xu firmly believes that architectural lighting design is not a re-creation outside the building, but should be an extension of architectural design. It should be based on the "deep" understanding of architecture, through the control and performance of light. Means to reflect the spatial character and characteristics of the building; at the same time, the architect should also leave the basic space for the lighting of the building.
He is motivated by the use of “temperance†and will begin to deconstruct how the building was born in light by sharing the “light-seeking journey†of many typical landmarks that he witnessed or witnessed.
He quoted the architect, Richard Meier, as saying, "Light is space," which leads us through the curriculum to understand the light outside the building and into the building to feel the light.
The following will be divided into the following four levels:
1. Description of the form: three-dimensional representation of the volume of the building;
2. Generalization of architectural features: there is no concept of artistic expression without focus;
3, texture and level of performance: the use of light distribution of strong and weak changes, light and dark differences;
4, the rendering of personality and atmosphere: light on the performance of space quality, artistic appeal and human psychological experience are decisive.
What does the building exist for?
I talked about the super high-rise buildings in many cities. It is quite lively. I want to return to the original source of the building. Because many problems, such as the light of the building and the light of the indoor space, I have to talk about it. The root of all this - what is the construction for?
This building is different from that one. Apart from what looks different on the surface, where is it different? It sounds a bit mysterious, but it is not.
The same four walls and one roof, where is the difference between the pig pen and the villa?
The building itself is a product of social attributes. If there is no relationship with people, the building has no meaning. Therefore, in my opinion, architecture as a person's residence has the same personality as human beings. Therefore, its spatial quality performance and artistic appeal It has a decisive role in the psychological experience of people.
In short, the feelings in the architectural space are for the psychological experience of people.
Therefore, the relationship between the perceived vision and the light that is being seen is simply too important.
Photo: Traditional architectural photos, no one, showing the beauty of architecture, seems to have no problem.
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